Graffiti as Knowledge Infrastructure

How does Nganya culture establish its own aesthetic logic — and what does the matatu, as a site of artistic production, reveal about the relationship between everyday urban life and art-historical legitimacy?

Submitted by Syokau Mutonga on April 8, 2026 - 9:26am
How did the MaVulture campaign exercise the right to the city — and in what ways does politically interventionist graffiti constitute a form of civic participation that operates outside, and in deliberate refusal of, institutional authorisation?

Submitted by Syokau Mutonga on April 8, 2026 - 9:27am